PHO702 Week 5: Work in Progress

The topic this week was the Gaze. I went out with the gaze of William Eggleston as my intent, or at least that of the ‘Beautiful Mysterious’ which is the title of a recent book on his practice (Adabie 2019).

First, here are four images by Eggleston that I tried to keep in mind as my intent, followed by some of my own work in progress. The idea is that nothing before my lens is favoured, but nothing is rejected either. I am looking for the special in the ordinary.

EGGLESTON, William. 1970-5. 'The Beautiful Mysterious'.
Fig. 1: William Eggleston 1970-5. ‘The Beautiful Mysterious’ (after Abadie 2019).
CREAN, Mark. 2020. Oxford at Night.
Fig 2: Mark Crean 2020. Oxford at Night.
CREAN, Mark. 2020. Oxford at Night.
Fig. 3: Mark Crean 2020. Oxford at Night.
CREAN, Mark. 2020. Oxford at Night.
Fig. 4: Mark Crean 2020. Oxford at Night.
CREAN, Mark. 2020. Oxford at Night.
Fig. 5: Mark Crean 2020. Oxford at Night.
CREAN, Mark. 2020. Oxford at Night.
Fig. 6: Mark Crean 2020. Oxford at Night.
CREAN, Mark. 2020. Oxford at Night.
Fig. 7: Mark Crean 2020. Oxford at Night.
CREAN, Mark. 2020. Oxford at Night.
Fig. 8: Mark Crean 2020. Oxford at Night.
CREAN, Mark. 2020. Oxford at Night.
Fig. 9: Mark Crean 2020. Oxford at Night.
Fig. 10: Mark Crean 2020. Oxford at Night.
CREAN, Mark. 2020. Oxford at Night.
Fig. 11: Mark Crean 2020. Oxford at Night.
CREAN, Mark. 2020. Oxford at Night.
Fig 12: Mark Crean 2020. Oxford at Night.

References

ABADIE, Ann J. (ed.). 2019. The Beautiful Mysterious: The Extraordinary Gaze of William Eggleston. Jackson, Miss.: University of Mississippi Museum and Historic Houses.

Figures

Figure 1. William EGGLESTON. 1970-5. ‘The Beautiful Mysterious’ (after Abadie 2019).
Figures 2-12. Mark CREAN, 2020. Oxford at Night. Collection of the author.