PHO704 Week 1: Research

A new module kicks off, and the topic in this first week is all about research.

My to-do list at present is rather scrappy and forbiddingly long, but this is what I think I need to concentrate on:

I am continuing with my established research project, Silent City, a walk through the city of Oxford after dark. I am planning to continue this practice in black and white rather than in colour.

1. I need to further my understanding and knowledge of black and white photography.

2. Having looked at some of the classics and the greats in previous modules, I need to look more at contemporary photographers and the modern scene. This means getting to know websites such as American Suburb X (American Suburb X 2020), LensCulture (LensCulture 2020), the photographic sections on Vice (Vice 2020), Aperture (Aperture 2020), the British Journal of Photography online (British Journal of Photography 2020), younger and contemporary practitioners on Magnum (Maghum 2020) and so forth. I have taken out subscriptions to the British Journal of Photography online and to Black+White magazine (Black+White Photography 2020) online. I will also need to widen my list of those I am following on Instagram.

3. I need to broaden my reading and think more laterally. I would like to read fewer works of academic criticism and more of literature around the subject. So, I need to read literature on cities, both factual and fiction, whether novels like Calvino’s Invisible Cities (Calvino 1997) or the Encyclopedia of Oxford (Hibbert and Hibbert 1988) or Dickens on Night Walks (Dickens 2010).

4. Psychogeography: I read Merlin Coverley’s summary work in a previous module (Coverley 2010), but I need to look more closely into the subject. Iain Sinclair’s London Orbital is one book to consult (Sinclair 2003). This is important because psychogeography is a gateway into understanding a city’s nuances, details and atmosphere, the things that make it this particular place rather than any city anywhere.

5. I would like to become much more professional in my overall approach. This means getting to grips with brand strategy and marketing, understanding how to interface with clients, understanding how to write the right kind of pitches and briefs, and instilling the organization and discipline to fulfil them. I am hoping much of the coursework this term will help with that, but in addition there are excellent tutorials on LinkedIn Learning (free for Falmouth Students) which I already use for Adobe software products (LinkedIn Learning 2020).

6. As for the actual photographic work, I need to fill in areas of Oxford I have not yet photographed. I need to visit some areas I photographed in previous modules but not with the understanding and approach I have now. I need to bring in more variations in the quality of light, which means more shoots at dusk or dawn rather than at night. I need to look more at details, which means at signs, symbols and signifiers (enter the world of Barthes). And I need to consider a story or theme, if there is one. The river and canals threading through Oxford is one possibility, and a poetic one too. This could provide a backbone to my work.

7. My final intent is still centred around producing a book of photographs. This means more study of photography books, their design, curation and production, and therefore more attention to companies like Self Publish, Be Happy (Self Publish, Be Happy 2020).

References

AMERICAN SUBURB X. 2020. ‘AMERICAN SUBURB X – Since 2008, an Epicenter for Photography, Art and Culture’. AMERICAN SUBURB X [online]. Available at: https://americansuburbx.com/ [accessed 29 Sep 2020].

APERTURE. 2020. ‘Aperture’. Aperture [online]. Available at: https://aperture.org/ [accessed 29 Sep 2020].

BLACK+WHITE PHOTOGRAPHY. 2020. ‘Black+White Photography – Cool, Creative and Contemporary’. Black+White Photography [online]. Available at: https://www.blackandwhitephotographymag.co.uk/ [accessed 29 Sep 2020].

BRITISH JOURNAL OF PHOTOGRAPHY. 2020. ‘British Journal of Photography – The Latest Photography News and Features, since 1854.’ British Journal of Photography [online]. Available at: https://www.bjp-online.com/ [accessed 29 Sep 2020].

CALVINO, Italo. 1997. Invisible Cities. London: Vintage.

COVERLEY, Merlin. 2010. Psychogeography. Harpenden: Pocket Essentials.

DICKENS, Charles. 2010. Night Walks. London: Penguin.

HIBBERT, Christopher and Edward HIBBERT. 1988. The Encyclopaedia of Oxford. London: Macmillan.

LENSCULTURE. 2020. ‘LensCulture – Contemporary Photography’. LensCulture [online]. Available at: https://www.lensculture.com/ [accessed 29 Sep 2020].

LINKEDIN LEARNING. 2020. ‘LinkedIn Learning: Online Courses for Creative, Technology, Business Skills’. LinkedIn Learning [online]. Available at: https://www.linkedin.com/learning [accessed 29 Sep 2020].

MAGNUM PHOTOS. 2020. ‘Magnum Photos – A Photographic Cooperative of Great Diversity and Distinction Owned by Its Photographer Members’. Magnum Photos [online]. Available at: https://www.magnumphotos.com/ [accessed 29 Sep 2020].

SELF PUBLISH BE HAPPY. 2020. ‘Self Publish, Be Happy’. Self Publish, Be Happy [online]. Available at: http://selfpublishbehappy.com/ [accessed 29 Sep 2020].

SINCLAIR, Iain. 2003. London Orbital : A Walk around the M25. London: Penguin.

VICE. 2020. ‘Photos – VICE’. VICE [online]. Available at: https://www.vice.com/en_ca/topic/photos [accessed 29 Sep 2020].