This has been a good week, now that I am starting to consider the commercial aspects of the different genres within the wide field of photography.
However, there are a lot of things I would need to sort out before I could expect anyone to buy my photography. While I do not wish to become a commercial photographer, all the topics are an excellent way of improving my practice and, as they say, getting my act together.
The following are the main things to have struck me, following the course’s Live Lecture this week (Pfab 2020) and my reading of Scott Grant’s The Essential Student Guide to Professional Photography (Grant 2016). It is by no means a complete list.
Decide where I stand. In my case the genres are social documentary, editorial and Fine Arts.
Research the customers for those markets such as agencies, galleries, magazines and other publications. Find out who the commissioning editors and influencers are. Seek out workshops and events in this area. One cannot start networking without meeting people.
Start to learn about the main players are and how they operate. To some extent, that can by done by reading interviews (e.g. Ryan 2020) or checking for interview videos on YouTube. It can make a real difference when contacting someone if you can say you really liked their recent article, or book, or interview, etc. It shows interest and research.
Assemble a creditable portfolio, printed and online. Ensure that it contains relevant work that reflects where I stand in the market.
Assemble a website. For now I will continue to use the Adobe Portfolio system because it is fairly easy and well organized.
Establish a business account on Instagram and learn how to get the best from the platform when treated as a business. Look at other forms of social media on the same basis, such as FaceBook and LinkedIn.
Have some business cards printed. These are extremely useful in many circumstances. They are not only part of being professional but also part of being sincere when given to people one has met on the street and asked to photograph, for example.
Establish a consistent tone and format for all communications, including email. This is professional etiquette, but it also helps a client acquire a better idea of who they are dealing with.
Branding can be a helpful discipline. I have learned a lot from working through two series on LinkedIn Learning (Boyd 2020, Pedersen 2017).
Branding obliges one to identify essentials: it focuses on exactly what I can offer, what values I have, and what overall mission statement I can provide to explain myself. Values (ethics, what matters to someone) are easily overlooked but important. It feels good to work ethically and keep to an industry code of conduct. Values may be particularly important to some clients, too, such as those involved in sustainability and the climate crisis, or difficult social questions and civil rights.
There are several other topics to cover from this week, but for the sake of brevity I will include those in a separate post.
BOYD, Drew. 2020. ‘Branding Foundations’. LinkedIn Learning [online]. Available at: https://www.linkedin.com/learning/branding-foundations-2/building-a-successful-brand?u=56738929 [accessed 10 Oct 2020].
KOWENHOVEN, Bill. 2014. ‘Interview with Kathy Ryan’. HotShoe international (187), [online]. Available at: http://www.hotshoeinternational.com/ [accessed 28 Oct 2020].
PEDERSEN, Lindsay. 2017. ‘Create a Brand Strategy’. LinkedIn Learning [online]. Available at: https://www.linkedin.com/learning/create-a-brand-strategy/tailor?u=56738929 [accessed 5 Oct 2020].
PFAB, Anna-Maria. 2020. ‘Week 5 Live Lecture’. Falmouth Flexible Photography Hub [online]. Available at: https://recordings.reu1.blindsidenetworks.com/falmouth/15c46b7e7981013e41de8a43f4b0f0fa57259353-1603738095776/capture/ [accessed 28 Oct 2020].
SCOTT, Grant. 2016. The Essential Student Guide to Professional Photography. 1st edn. Burlington, MA: Focal Press.