PHO705 Week 2: Research and Influences

Since my Final Major Project Entropias is a brand-new one I have much research still to do. I plan to break it down as follows:

Methodology
I intend to tell my story by dividing this project into the following subject areas, mainly to allow a shooting schedule that will cover the whole area and its many activities. I will approach land and place as

  • Culture: the picturesque, the patriarchal gaze
  • Liminal, edgeland
  • Disposable, a dumping ground
  • Commodity, agribusiness
  • Workplace
  • Community and ownership
  • Heritage and Tourism
  • Sustainable resource
  • Eerie, weird and poetic places

This division would be a trap if adhered to rigidly. A different methodology will emerge naturally. For example, William Ewing (Ewing 2014) offers as themes Artefacts, Rupture, Playground, Scar, Control, Enigma, Hallucination and Reverie. There are many, more creative typologies than my initial choice.

The History of Land and Place
I will need to study landscape historians and writers such as W. G. Hoskins, Oliver Rackham, John Lewis-Stempel and Robert Macfarlane, and whatever is available from historical records online such as the The Victoria History of the County of Oxford (Page et al 1907) which itemizes my patch in minute detail for a thousand years.

The Land as Art and Culture
Cultural, aesthetic and photographic history from writers such as Simon Schama, David Campany, J. A. P. Alexander, Robert Adams, John Taylor, W. J. T. Mitchell and Liz Wells, and whatever these volumes lead me towards. Growing familiarity with the history of the painting of place will be as important as that of photography.

Photographers
I can only start with those I know and work outwards. This means the practice of photographers such as Robert Adams (and his New Topographics peers), Richard Misrach, Mark Power, Paul Seawright, Nadav Kander, Michael Kenna, Paul Graham, Chrystel Lebas, Mathieu Asselin, Gregory Halpern, Matt Black, Fay Godwin, Edward Burtynksy, Thomas Struth and more.

I have been able to secure new or second-hand copies of books by some of the above and I am now reading them.

References

EWING, William A. 2014. Landmark: The Fields of Landscape Photography. London: Thames & Hudson.

PAGE, William, L. F. SALZMAN, H. E. SALTER, M. D. LOBEL, Alan CROSSLEY and Simon TOWNLEY. 1907. The Victoria History of the County of Oxford. London: Archibald Constable: Published for University of London Institute of Historical Research by Oxford University Press. Available at: https://www.british-history.ac.uk/search/series/vch–oxon [accessed: 16 Jan 2021].