PHO705 Weeks 6-7: ADAPT’21

I went to several talks during the ADAPT’21 festival.

Julia Fullerton-Batten’s talk on her series of lockdown portraits in 2020, Looking Out From Within, was fascinating (Fullerton-Batten 2020). This style of performative photography is not really my thing but even so I admire it greatly. It is not only Fullerton-Batten’s formal and compositional expertise, and her allusions to classical paintings and portraiture, that I admire. It is also the complex process behind the scenes involving crews, lighting, props, make-up, logistics and much else.

This was a very valuable insight into the world of commercial photography (albeit repurposed during a pandemic). The actual taking of the image is the least of it in many ways. This was a lesson in the importance of careful planning, people management and, above all, collaboration. It was also a lesson in how to be bold. Do not hang back or fall prey to impostor syndrome but make your best effort to power ahead. In this respect, Fullerton-Batten emphasized that putting one’s work out there, in open calls and competitions, is very important (albeit with so many competitions available now she said that it pays to do one’s research and be selective).

Bruno Ceschel’s Keynote Address reminded me of the importance of keeping informed of contemporary practice particularly in the fields in which one is involved. In this regard, I have started to look at his series of presentations with photographers and critics, Contemporary Photography (Self Publish, Be Happy 2021), and catch up on its podcast equivalent, Gem Fletcher’s The Messy Truth (Fletcher 2021). Ceschel emphasized that photography books are changing: originality and ingenuity in both content and presentation far beyond the actual images themselves increasingly matters if a book is to succeed.

Ceschel pointed out that 2020 was hit by three successive waves: the pandemic, a social shift (social justice and racial equality movements) and a political shift (the struggle over authoritarian and xenophobic governance). He believes that the combination will change everything going forward. I hope he is right, but for my own practice the message is ‘stay open and adaptable and be prepared for changes’.

Thank you, Falmouth. I really appreciated ADAPT’21.

References

FLETCHER, Gemma. 2021. ‘‎The Messy Truth – Conversations on Photography’. Apple Podcasts [online]. Available at: https://podcasts.apple.com/gb/podcast/the-messy-truth-conversations-on-photography/id1459128692 [accessed 12 Mar 2021].

FULLERTON-BATTEN, Julia. 2020. ‘Looking Out From Within 2020’. Julia Fullerton-Batten [online]. Available at: https://www.juliafullerton-batten.com/projectmenu.php?catNo=1&gallNo=96 [accessed 10 Mar 2021].

SELF PUBLISH, BE HAPPY. 2021. ‘Self Publish, Be Happy: Contemporary Photography’. Vimeo [online]. Available at: https://vimeo.com/spbh [accessed 14 Mar 2021].