I have attended several online lectures in the past few weeks. The idea is to sample different organizations, to participate in some ‘Lens Culture’ and to get a feel for where contemporary practice is going in different fields. The following are the first two on my list:
Curating Photography with Susan Bright
This was an online talk at the Royal Photographic Society (Bright 2021) and majored on Susan Bright’s experience as curator of Feast for the Eyes: The Story of Food in Photography (The Photographers’ Gallery 2019) which I visited twice in 2019. Bright emphasized how important it is to study the space for any exhibition, to make maquettes of the layout and to consider how a visitor will move through the rooms and encounter the art. She said that, like good design, the secret of good curation is that it should be invisible, but that it must be complete in every way and in every particular of lighting, colour scheme and hanging. The visitor must feel that they have been carefully considered. Bright said that a good exhibition should ‘shift’ you, in other words that it should take you out of the day-to-day and into something special. She recommended that we look at the work of Katrina Sluis and of the curator Isobel Parker-Philip. Overall, I found this a carefully prepared and very helpful event because it has given me some important curatorial points to follow if (or when) I offer my own gallery exhibition.
One Camera, One Lens and Natural Light – Danny Wilcox Frazier
This talk hosted by the VII Agency was about how to go a long way with very simple ingredients (Wilcox Frazier 2021). Wilcox Frazier’s study Driftless – of disadvantaged rural communities in Iowa – was shot on film with one camera, one lens and nothing else. The result is deeply moving (Wilcox Frazier 2007). The key point was that good projects come from being fully immersed in them. There are no shortcuts. Your subjects need to trust you, too: they have to know who the photographer is. You must ‘share of yourself’ in Wilcox Frazier’s words. He emphasized that ‘a clear intent and a stronger voice need to be ever present in your work’. ‘A unique way of seeing’ and ‘a strong individual voice’ are what matter. It is easy to get carried away by technology and the wilder shores of conceptual art, but sometimes it is helpful to be reminded of the bedrock of good photography in a back-to-basics way. I am glad I attended this talk and its dark, powerful images redolent of a Magnum essay by Larry Towell or Matt Black.
BRIGHT, Susan. 2021. ‘Curating Photography with Susan Bright’. Royal Photographic Society [online]. Available at: https://rps.org/SusanBright [accessed 19 Mar 2021].
THE PHOTOGRAPHERS’ GALLERY. 2019. ‘Feast for the Eyes – The Story of Food in Photography’. The Photographers’ Gallery [online]. Available at: https://thephotographersgallery.org.uk/whats-on/exhibition/feast-eyes-story-food-photography [accessed 19 Mar 2021].
WILCOX FRAZIER, Danny. 2007. ‘Driftless’. Danny Wilcox Frazier [online]. Available at: https://dannywilcoxfrazier.com/driftless-gallery [accessed 19 Mar 2021].
WILCOX FRAZIER, Danny. 2021. ‘One Camera, One Lens and Natural Light’. VII Agency [online]. Available at: https://viiphoto.com/recordings-resources/ [accessed 19 Mar 2021].
Figure 1. Danny WILCOX FRAZIER. 2002. ‘Brothers share a smoke at a gun range, Swisher, Iowa’. From: Danny Wilcox Frazier. 2002. Driftless. Available at: https://dannywilcoxfrazier.com/driftless-gallery [accessed 19 Mar 2021].