Vision 2020 at Falmouth was above all fun, informative and enjoyable. I really liked the theme of sustainability and climate change because the presentations showed me how much I don’t know about the world today and the outlook of those who in a few years will be running it.
Standouts: the workshops on studio lighting, medium format photography, speedlights and preparation for print. The first two were entirely new subjects for me and both were fascinating. I particularly liked the way medium format imposes its own slower and more considered approach to making photographs.
Zed Nelson’s film The Street was a definite high point (Nelson 2019). I have walked that street in Hoxton countless times and never noticed the half of it. This is a great example of the power of in-depth research and it also raises a point about hyper-realism: the extent to which stills and film show us what is really there but usually hidden by our own inattention and the flow of time. The Street is a fine example of visual storytelling with so many lives woven in and out of the film. And these lives raised so many ‘what if’ questions: what if the developers had left the street alone, where is he moving to, will the pie and mash shop survive, what if Colleen had married her beau all those years ago? An image is only a fleeting slice of time but as the film showed, in reality that time stretches back seven or eight decades in the memory of some. To them that time is real and in its many interviews with the street’s residents the film brought that time to life.
The Street is also a story about the often confusing and brutal realities of change in modern Britain with its unequal power dynamics. This has encouraged me to reflect on the degree to which I too am involved in a project which will tell a story whether I like it or not. Therefore it is up to me to identify the story I am in fact telling, analyse it and identify its key elements. So, a bitter-sweet and compelling work that is helpful for my practice.
I was deeply impressed by the quality of the work and enormous care that had gone into each of the FMJ presentations. And I really appreciated the longer presentations by Toby Smith on ‘Visualising Climate Change’ and also Jo Coombes’ work on the Adgreen agency. Both struck me as great examples of how to build a career (or photographic practice) ethically, intelligently and with purpose. The do’s and don’t of marketing one’s work effectively were helpful in both cases – something else I need to know a lot more about.
Penryn is a lovely campus. The welcome was warm. The thought and preparation that had gone into Vision 2020 were awesome. I am very grateful and hope to visit again next year. It’s too good to miss!
NELSON, Zed. 2019. The Street [Film]. London: Verve Pictures